Though I once caught a glimpse of a frail figure in a wheelchair at a function in an Oxford college garden, I never met Dorothy Hodgkin. But she has probably influenced my life and work more profoundly than any other.
Twenty years ago I was writing regular science features for the Oxford alumni magazine, Oxford Today. For the summer issue of 1994, I took as a ‘peg’ the 60th anniversary of Hodgkin’s first research paper* and wrote a piece about her life and work, comparing the balance of opportunities and obstacles with those of young female scientists at the time. Continue reading “Dorothy Hodgkin and me”
Wednesday 27 October, The Wickham Theatre, Bristol BS8 1UP, 7.30 pm, as part of the Bristol University Centre for Public Engagement’s Twilight Talks series. Free. Book at www.bristol.ac.uk/twilight-talks
Friday 19 November, Otley Courthouse, Otley, W.Yorks LS21 3AN, 7.30 pm, as part of Otley Science Festival. Book at www.otleycourthouse.org.uk
My long absence from the blogosphere is largely due to Dorothy Hodgkin’s centenary, which fell on 12 May 2010 (belated birthday wishes, Dorothy).
For a couple of years I had been sending gentle prompts to various quarters suggesting that something should be done to mark the occasion, the 100th anniversary of the birth of Britain’s only female Nobel-prizewinning scientist. Jim Kennedy, Director of the Oxford University Museum of Natural History responded by choosing that date to unveil a bust of Dorothy in the Museum, a long-cherished project that he had managed to pull off with support from the EPA Cephalosporin Fund.
Inspired by a one-woman show about Barbara McLintock, The Longing to Understand by Jane Cox, I offered to write a show about Hodgkin, Hidden Glory, to be performed on the evening of the unveiling. On a scarily short timescale the project came to fruition as a professional show with a wonderful actress, Miranda Cook, and director, Abbey Wright, supported by a young creative team of designer Florence McHugh, lighting designer and production manager Andy Reader, and sound designer Chris Barlow.
Because my promptings had led the Royal Society to hold a commemorative day on 12 May, the Museum event took place on 10 May 2010. Dorothy’s sister Diana, 92, flew all the way from Canada to be there and to unveil the bust; all three of her daughters were also there, as were Dorothy’s daughter Liz Hodgkin and numerous other family and friends. We also invited lots of Oxford chemists and molecular biologists who had known Dorothy. ‘Uncanny’ was the verdict of one of them on Miranda’s performance, which was moving and quietly amusing by turns as it revealed the essential integrity of Dorothy’s scientific and personal lives.
We’re all very proud to have been involved in the project, and hope it can move on to new venues (we did a second performance at Lady Margaret Hall, Oxford a few days later); I will post here as soon as we have some dates.
I’m now more convinced than ever that theatre is a great way to introduce audiences to science and scientists, giving them an insight into the scientific life that they will never get either from books or from ‘public engagement’ talks and demonstrations.