More science on stage 1

Last Friday I went up to London to see a work-in-progress performance of The Nature of Thingsthe ‘other’ Dorothy Hodgkin play. I don’t regard it as competition as Esther Shanson’s work is so much more ambitious and complex than Hidden Glory. More than two years ago she set out to tell the stories of three women crystallographers – Kathleen Lonsdale, Dorothy Hodgkin and Rosalind Franklin – using dance, drama, music and both still and video projection. The result was a revelation, though still unfinished.

The Place, London’s leading centre for contemporary dance, has supported Esther’s production and it was packed for the free show with an eclectic mix of dance lovers, crystallographers, Dorothy’s relatives and colleagues, and curious members of the public. We saw the first act, which focuses mainly on Kathleen Lonsdale but introduces the other two women, and a video clip from the second act which uses gradually multiplying images of dancers performing to a fast jazz score to represent the three-dimensional structure of insulin.

I know I come to the subject with a lot of prior knowledge and interest, but I was riveted throughout. Esther and her company have developed a wonderfully touching script that fleshes out the relationships between Lonsdale, her mentor William Bragg and her husband Thomas. An altogether more spiky relationship characterises the pairing of a reincarnated Rosalind Franklin and James Watson as they review the history of structural molecular biology. Dorothy’s early, tentative steps in both science and love feature in this first act, but we will have to wait for the second for her ultimate triumph, the solution of insulin.

I’m less qualified to comment on the dance elements, but using dancers to represent the molecules that the three women studied brings out the personal relationships each had with her subject, and the sense of trying to pin down an elusive quarry. For DNA, the extraordinary aerialist¬†Ilona J√§ntti wove patterns with her body suspended between two ropes hung from above the stage.

We are promised the complete piece in 2011, and I for one can’t wait.